This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images...(展开全部)

This book explores Gilles Deleuze's contribution to film theory. According to Deleuze, we have come to live in a universe that could be described as metacinematic. His conception of images implies a new kind of camera consciousness, one that determines our perceptions and sense of selves: aspects of our subjectivities are formed in, for instance, action-images, affection-images...(展开全部)

著者 查尔斯•威尔金森，编剧、导演，曾为迪士尼及美国广播公司、哥伦比亚广播公司等制作多部纪录片、故事片和剧集。查尔斯摄制的影片曾荣获温哥华国际电影节zui受欢迎加拿大纪录片奖、国家影评最佳纪录片奖等多项大奖。其于2019年制作完成的纪录片《海达现代：罗伯特•戴维森的 艺 术与行动主义》（Haida Mordern: the Art and Activismof Robert Davidson）曾被各大国际电影节选为开、闭幕式影片，在北美范围内展映和发行。 译者 鲜佳，电影学博士，重庆大学美视电影学院文学系教师、硕士生导师，在专业学术期刊上发表过20余篇论文，主持过多项省部级社科课题，曾获国家广电总局和省部级剧本奖。另译有《大卫•林奇的奇异世界》。 校订者 杨宽，华中师范大学文学院文学学士，美国南卫理公会大学电影学硕士，主要研究方向为美国电影史。

Margaret Archer's Culture and Agency was first published in 1988, and proved a seminal contribution to social theory and the case for the role of culture in sociological thought. Described in Sociological Review as 'a timely and sophisticated treatment', the book showed that the 'problems' of culture and agency, on the one hand, and structure and agency, on the other, could be ...(展开全部)

The field of random matrix theory has seen an explosion of activity in recent years, with connections to many areas of mathematics and physics. However, this makes the current state of the field almost too large to survey in a single book. In this graduate text, we focus on one specific sector of the field, namely the spectral distribution of random Wigner matrix ensembles (suc...(展开全部)

This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issu...(展开全部)

Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

Working with Paper builds on a growing interest in the materials of science by exploring the gendered uses and meanings of paper tools and technologies, considering how notions of gender impacted paper practices and in turn how paper may have structured knowledge about gender. Through a series of dynamic investigations covering Europe and North America and spanning the early mo...(展开全部)

Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bla Balzs, Rudolf Arnheim, and Andr Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the cont...(展开全部)